The owls are not what they seem - Twin Peaks papercut

I think owls were one of the very first papercuts I did way back in 2007 (?) - and I seem to come back to them every couple of years. 

This latest one I started months ago...and sort of lost the thread and put it aside for a bit, which then turned into a bit more than a bit. While I was doing a big paper tidy up and inventory today it turned up in a pad of paper and I was finally inspired to finish it up (also, it was super rainy so the garden was in no way tempting..).

So I had started the pair of owls, a big and little, framed with a circular branch in turquoise but I wasn't really sure what to do next...although I liked the dark blue background as it was a nice contrast to the owls and looked night-time-ish.

Technical side note for anyone who cares: Gluing down all this sort of piece, especially when it's origami paper rather than artist paper (which is thicker) is always the most tricky bit of the process. I have tried a bunch of different approaches - glue sticks, glue pens, and starch paste...I use all of these at some point but my preferred method is good old pva glue, a toothpick and a load of patience...

Anyway, back to the owls...the night-timishness of the dark blue (and my recent sorting and discovery of lots of grey paper) made me consider the addition of the moon which sort of left a gap in composition. I have been meaning, and avoiding, attempting lettering in papercut but this seemed like a good opportunity to try. 

Twin Peaks has been a long standing fixture in my life since uni...I've lost count of how many times I've watched it and quoted it and it was a definite plus (on both sides) when James and I were in the early stages of dating and realised the other was a fan.

So going down the 'owls are not what they seem' route was a bit of a no brainer. 

The lettering was not a walk in the park but I like the way it turned out so I am up for the challenge of having another go. 

In the meantime, this piece is now available for sale in my shop - don't miss a chance to have a bit of original Twin Peaks art! 

Peacock papercut - prints and cards now in shop...

This post has been a long time coming... and another thing that was on my fast-depleting list of things to do for the bank holiday...

A while ago I posted here and here about a papercut I was doing featuring a white peacock. 





I loved how this turned out, especially as it's a departure from the traditional black-on-white approach. 

I decided to have the image reproduced on greeting cards and art prints and I think they turned out great!





The cards are A6 and come with a brown craft envelope and cellophane sleeve:

They are blank on the inside and have a nice weight to them and matte finish which works really well with the design. 

I've already sent a few to friends and family and had a great response so I'm really happy with these.



Next up were the art prints. I had these done as giclee prints on hahnemuhle photo rag paper, which I have used for printing my art before. I think the quality of the print and paper are just lovely. 

I had these done in A5 and A4 and although I love both, the A4 is really striking and looks amazing with the fine detail of the image. 

I'm glad to finally get these out and into the shop.  

Link to the cards is here and the prints, A5 is here and A4, here. 

Thanks for looking!

Gannet diving for herring - papercut

James and I watched the BBC show 'Alaska: Earth's Frozen Kingdom' the other night. We don't often watch nature documentaries which is crazy as we always love them when we do. 

I have always been a bit of a nerd about the natural world, James less so so it's fun to see his reaction to some scenes. One that prompted a lot of commentary was the huge herring shoals that get plundered by birds (gannets in this case) from above and larger fish from below. (James: 'Why are they all in this big crowd?! Seems like a bad idea, if I was a herring I'd be hiding in the reeds').

Anyway, the camera work is always amazing and I had the images in my mind for the rest of the night. 

Then, as often happens, all plans for other projects got shifted when I decided I had to do a papercut of the gannets diving for herring. I was also keen to try out my new Hygloss silhouette paper which arrived a few days ago. 

So, this was a bit of a different style for me. And I will freely admit that on about the 400th fish I was questioning my sanity. But all in all I am really happy how it turned out. It feels like I am pushing myself a lot and it's good.


























Right, I'm off to sweep up a million little fish cut-outs that are all over the house. 

White peacock papercutting

It's been a while since my last post but I have been getting stuck into the new supplies and new projects...I haven't *quite* finished the Hamsa papercut, so more to follow on that soon.

I have gone back so some of my roots though in one of my recent projects. When I started papercutting, years ago, my main source of inspiration was the East African art movement, Tinga Tinga and peacocks were one of my preferred subjects. I haven't done any in a while and in this I wanted to do a very traditional papercutting piece, in white. 


I started out with a sketch in my sketchbook to plan it out. This was then transferred to white cartridge paper and then I started the cutting process. After a lot of the maps and more graphic work I have done recently this is one of the more organic and detailed pieces I have done in a while..which was a fun challenge.

This next bit was fun. I wanted to test out different options for the background for the final papercut - I didn't even want to wait until I was done with the cutting. 

I was torn about the choices. My boyfriend was really keen on the first one, the raspberry. Whereas I was keen on the one below, the dark purple, which I thought showed up the design better with contrast... 
It was a tough choice, and annoyingly, the wretched winter gloom hasn't done the pictures any favours - what would you vote for?  

Final choice to follow...I have further plans for the finished piece so stay tuned. In the meantime, here is the final, unmounted piece:

I'm pretty happy with the final result. 

When I told my Mum I was doing a white peacock she reminded me of an albino peacock we met on a family trip in the 1980's to Mt Kenya Safari Club. Apparently our family turned up with me, aged 3 or something only to find out that there was no kids allowed! 

We were hours away from home in Nairobi and my parents made a good enough case that I was such a well behaved child that no one would complain - which worked. 

I remember pictures of me and this white peacock that my parents took in the grounds of the hotel. 

It's nice to think that maybe that was a subconscious inspiration for this piece (Hi Mum!)